Studio Research – Tactile discrimination within dance movement

Studio Research - vision and hearing occluded during dance movementThis series of sessions explored the impact of having both vision and hearing occluded during dance movement. Both eyes were covered with dark patches and the ears with sound cancelling earphones. The dancers expressed an initial discomfort as they adapted to the conditions. They reported feeling that their movements were more confined and restricted and expressed a sense of being “locked in”. Of particular interest was the observation that their movement was continuous with no pauses, suggesting the main focus was using movement to explore the space physically. This was supported by comments such as “I need to put myself everywhere to explore all facets of the space”. Tactile discrimination became the most dominant sense. Both dancers reported that their sense of balance was not affected and that one’s body against the ground was the key reference point. Movement was described as being “dense and continuous”.

– Shelley Lasica

Dancers: Deanne Butterworth, Jo Lloyd
Choreographer: Shelley Lasica
Researcher: Fleur O’Hare, Centre for Eye Research Australia

Reflexive Considerations – Planning, Mapping, Patterning

SHELLEY ANAT PHOTO NOV_photo (19)Planning

Mapping

Patterning

These three words cover the most immense amount of information to do with what is already known in the body and how it might proceed through various tasks.

Other thoughts to emerge:

The recent announcement  Nobel Prize for Physiology

The role or rhythm both in learning and structuring information

Our perception of three-dimensionality

 – Shelley Lasica

Dancers: Deanne Butterworth, Jo Lloyd
Choreographer: Shelley Lasica
Researcher: Fleur O’Hare, Centre for Eye Research Australia